Sunday, February 22, 2015

A Feminist's Take On: "The Theory Of Everything"

     How does one begin to review an Oscar nominated movie? Such films are created to  provide us with stark images of our society, family/home lives or small historical nuances that might have been overlooked by the general public. Let's face facts; they are not mere popcorn-style fair that are meant to amuse us. This small category of cinematic goodness act as the whole grain/ health food in any movie lover's diet.

     The Theory of Everything follows this description to a fault at times; depicting the life of Stephen Hawking, the now-famous Astrophysicist and his wife Jane Wilde. The acting is flawless, with Eddie Redmayne stealing basically every scene he is a part of. There is a rumor among Hollywood hopefuls that a sparkling award can be won if an actor embarks on a "passion project"--setting aside his own vanity for the sheer necessity of the work itself. This reviewer will not comment on the validity of such statements. All I can say is that Redmayne was truly a sight to behold; taking on the slight nuances of Hawking's personality down to a simple, sparkling gesture or a flick of an eyebrow. He made us believe that the brilliant mind of this formidable man still lurks somewhere behind the shallow waters of his complicated disease. I am not sure if this will render him an Oscar winner at the end of this evening, but Redmayne has nothing to be ashamed of. I suspect he will have many opportunities to showcase his talents for years to come.


     The silent, shining star of this movie had to be the complicated marriage that the Hawking's found themselves in. It all began with a cliche: "every strong man has an even stronger woman behind him", a turn of phrase that I have often resented. Why is that a strong man would require his even stronger counterpart to trail behind him? Would it be so much to ask that she, say, stand beside him.. as a partner should? Felicity Jones is a subtle force throughout, not allowing Jane Wilde to stay silently in the background of her husband's success. She began her career at Cambridge with dreams of her own, many of which she had to knowingly replace with the life of a wife and mother. Her portrayal of Jane Wilde showcased the struggle to maintain that delicate balance, all while trying to find something in their complicated universe that was solely her own. Perhaps, Jane finds this freedom within her own religious beliefs; refusing to give up her faith despite her brilliant husband's insistence on the scientific theory of the universe at large. Jane becomes the moral, emotional center of his world after all. There is a grey area, she insists, things that his careful equations could fill in her hungry soul

     More than anything else, Jane stares out into the great, wide void with a deep sense of longing that no words could ever possibly fill. Felicity Jones was brilliant in her subtle way of reaching out to all of us as she longed for that ever present "something". Jane-the-character transcended the strong wife ideal to become a real woman: silent, enduring, kind, loving, nurturing and yet still selfish enough to wish for more than her life could provide. She reminds us that we are all simple and messy human beings at the end of the day. Yes, love is a powerful and life changing force but yet sometimes it  may not be enough to conquer all the bumps that life may through in our paths.

     It seems that if this movie teaches us anything, it is the power of self-acceptance in the face of adversity. Stephen Hawking is a man who is simply happy to be alive, seemingly embracing his life with a passion that is almost enviable. A movie is not reality, however, so I wouldn't suggest taking this as the final testament into the lives of the Hawking's clan. It does shed some light into their complicated lives, while also introducing us to some very talented actors.
Thursday, February 19, 2015

The Golden Apple Awards: The 2014 Season


        It has been an interesting year for women in film; with stereotypical archetypes being pushed aside in favor of more realistic portrayals of our fictional female characters. No where is this change more apparent than in the Young Adult category- a genre that largely defines the teenage reading experience for young women. So, it should come as no surprise that below you will find two such specimens of that most beloved genre. However, instead of pitting these two Sci-Fi mavens against each other, it was decided to set aside the apple of discord between them in favor of  honoring what makes these fictional females so extraordinary to begin with. Spoiler Alert! You have been warned! 

And the Golden Apple goes to...


The Mockingly: Part I
Release Date: November 21, 2014
Rating: PG-13

     This is not your "average", dystopian YA-inspired movie adaptation. For anyone entering those hollowed, theatre doors expecting a no-holds-barred shoot-out, you must have faced the sort of bone crushing disappointment saved for the latest installment of the Twilight saga. This is a war movie and there is no way around that. Katniss Everdeen is no super hero who dusts herself off after certain destruction to only face off against the stereotypical villain for an epic ass-whooping. She is broken-- left huddled in the fetal position, tucked away within the deepest bowls of District 13.  Peeta is gone-- rather taken-- by the capital to a fate that is unknown to us. Don't worry, fangirls, you will receive glimpses of him on and off throughout this harrowing journey through Capital destruction. The citizens of Panem will rise again behind their figurehead, but as the title of this movie suggests; to what end? How much of herself must Katniss sacrifice before there is nothing left of her? As stated in a previous blog post, Ms. Everdeen's struggles have always far exceeded those within the arena's walls. She has juggled her undying need to be the protector/ provider of her family, all while trying to make sense of her confused emotional ties for Gale and Peeta.

In Mockinjay, her careful balancing act is about to collapse around her. Her very sanity hangs in the balance as the Capital taunts her with visions of Peeta in various forms of tortorous decay.Does she love him? Does she still harbor feelings for old flame Gale? Who cares! At the end of the day, she would much rather trade places with either man than cause them pain. Instead of experiencing this near end to the now infamous trilogy as a grandly epic thrill ride; it remained closer to the subject matter at hand. For those of us that are fans of the text, this is a special treat. The power in each scene lies behind the now tightly knit cast-- and those quietly intimate moments that occur when weapons are set aside and tears are shed. The entire film is moving slowly towards that one, titular moment at the very end.

For those of you that were disappointed with this cinematic gem, expecting more from the battle for Panem's soul-- do not fear. The war will begin promptly with the release of Mockingjay, Part II. 


  Divergent
Release Date: March 21, 2014
Rating: PG-13

      Only receiving a 41% fresh rating on Rotten Tomatoes, even I must admit some mixed feelings about the movie adaptation-- as detailed in this movie review. Yes, there are some similarities between these two femme fatales but this blog post is dedicated to embracing what makes these women stand out. To begin with, Divergent is more a personality-test-on-steroids than a reality show gone amuck.  Tris is forced, very early on, to choose against her family and her station in order to break through the boundaries of what is expected of her. She does not want to follow the line of her Abnegation past, choosing instead to join the Dauntless and forging her own path. The entire movie unfolds as simply a series of physically/mentally demanding tasks that are meant to bring our heroine to the brink of success. It's only in failure that the audience begins to see that Tris is no outstanding woman.

She is just a girl, after all; trying to reconcile all the different facets of herself in an effort to move forward towards an unsure future. There is no love triangle here to distract from the overall story-- her loyalty to Tobias/Four will carry us through two more sequels before it is all over. How refreshing that a young woman should know her own heart well enough to find true love within the first handful of chapters. In the end, Tris teaches us that it is alright to push the envelope of what is expected of us. Sometimes we will succeed, and most likely we will fail. Hell, there will be times that our worst fears are realized (quite literally) and we may have to improvise our way out of that ever-filling water tank of failure. 

In the end, we must stay true to who we are if we ever expect to achieve happiness.