The Golden Apple Awards: The 2015 Season

    2015 seemed to be the year of big budgets and even bigger stars-- from the rise of Ultron, the swarming of raptors, and the flight of the Mockingjay-- we have seen the rise of the popcorn movie once again. All the more reason to hand off this Golden Apple to a now infamous comedy that was sorrowfully overlooked during the Golden Globes... I mean, seriously, who decided that The Martian was a comedy anyway? And, let me point out, it's our first time awarding an apple in this genre! But let's face it; this particular movie is a bit hard to ignore. We mean that in the best way possible, of course.
                                                           ~  Spoiler Alert! ~




And, the Golden Apple goes to...

Trainwreck

Release Date: July 17th

Rating: R

     As I once outlined in my summer preview, not enough can be said for how groundbreaking this rom-com really is. In true, Judd Apatow style (with a screenplay by Ms. Schumer herself), this comedic nugget offers a glimpse into the love lives of adults everywhere.... and it isn't pretty, folks. With a slight tinge of raunchiness, they prove that we may not be as sophisticated and mature as we sometimes think we are. Because, let's face it, life isn't made up of a bunch of Sex and the City-esque cliches. 

Neither is Amy Schumer for that matter! This potty-mouthed protagonist is every bit the wreck that the title implies. Yet, she provides all the observations about love (or sometimes the lack thereof) that many of us women save for our most intimate girlfriends. Sprinkle in a touch of Bill Hader's quirky charm, and we have the recipe for a romantic duo we didn't even know we needed! 

"I want to puke on us!"

Their so adorably well paired, in fact, that they reminded me of that one couple we all love to hate... come on, be honest, you know what I'm talking about. But still, this film pushed back against all the stereotypes that make rom-coms so annoyingly predictable; as evidenced by that one, big fight that has come to define the genre. I won't go into what was said or how the characters bridged that gap between their differences; leading to the inevitable happy ending. You really should just enjoy that little nugget for yourself. I promise you won't be disappointed. 

In a nutshell, this hilarious comedy brought the laughs in a big way; without sacrificing all the social commentary that we have come to expect from a Judd Apatow comedy... with a hearty dash of Amy Schumer! If you're looking for the anti rom-com, then don't miss this movie! However, be aware: it isn't for the faint of heart! 

A Throwback to Summer: The 2015 Movie Guide

     It's everyone's favorite time of year; as the smell of number two pencils and back-to-school commercials penetrate the mild days of August...ruining our summer buzz in the process. Let's face facts, muses, your days of freedom are officially numbered. If you don't believe me, head to Walmart. That neon arrow beckons.

     As these long days draw to a close, however, what a better way to combat the onslaught of torture than to relive this season's greatest hits? Below, you'll find 4 top summer films picked out by yours truly. Enjoy!
   

Jurassic World

Release Date: June 12th

Rating: PG-13

     I can't think of a better place to start than with this juggernaut of the Summer Movie world. It stomped it's way to the top of the heap, making a record breaking $208.8 million in it's first few days! However, bags of cash does not a good movie make. It pretty much followed the tried and true formula that made the original so breathtaking: big CGI dinosaurs? Check. Handsome leading man? Double check. Lots of running and screaming? Duh... I mean... triple check. No groundbreaking plot twists here. Although, this fangirl did have to admit: this flick did offer up a heavy dosage of nostalgia. This movie brought me back to my 7-year-old self who first stared in awe at the big screen as dinosaurs ruled the earth once again... and kick started my life long obsession with the world of cinema to begin with. Was it the best movie on this list? Not by a long shot. But damn... those Raptors were pretty bad ass. 

Avengers: Age of Ultron

Release Date: May 1st

Rating: PG-13

      This mega-hit-action-thrill-ride pretty much conquered the early summer box office. Literally falling just behind the above named dino-flick. Now, seeing as I did draft a review, I'll be brief. This latest installment was a huge improvement on it's 2012 predecessor, proving that not all sequels are complete crap. David Spader was delightful, as was Ultron by default. And the 3D was well done for a change (unlike the view-finder-esque stylings of Jurassic World). Yes, there was some controversy, highlighted by #WheresNatasha campaign. But, all in all, this sequel solidified it's ranking as a fun-loving joy ride of a film. 

Trainwreck

Release Date: July 17th

Rating: R

     Perhaps one of my favorite movies on this list, and a vehicle for Amy Schumer's career, not enough can be said for how groundbreaking this comedy truly is. Gone are the rom-com stereotypes of movies past. The solution: this wisecracking, often swearing, and heavy drinking protagonist. Is she the train wreck that the title suggests? Hell yes! But you'll love her none-the-less. Most likely for voicing all those love life rants that we're all too afraid to admit to in public. Director Judd Apatow perfectly melds hilarious raunchiness with real-life insights about how we grown ups interact-- not only with our sex partners, but with our family members and friends as well. If you're looking for the anti-romantic comedy, then Ms. Amy is your girl. But, be warned: this comedy is NOT for the faint of heart! 

Spy

Release Date: June 5th

Rating: R

     We girls have to stick together! That seems to be the overall message of this hilarious, and surprising comedic offering. Starring Melissa McCarthy as the often overlooked Susan Cooper; and a host of other familiar faces of Bridesmaids fame, it begins as just another slapstick comedy that brings the laughs in a big way. Probably one of the funniest movies on this list, it offers a female driven vehicle in a very male-dominated genre. With The Man From U.N.C.L.E being released later this week, this movie's observations on Bond-esque cinema will seriously make you snort soda out of your nose. Besides the humor, it was pretty awesome to see McCarthy kick some serious ass... in heels no less. Want to know more? Read my full review here. 

A Feminist's Take on: "Spy"

     Let me begin this post with a disclaimer: I love Melissa McCarthy. Period.  I know this fact will make it very hard to remain completely objective in reviewing this comedic venture. I could attempt to remain neutral, but quite honestly I just don't care. I'm going to gush. You have been warned. 

     Spy begins as a typical, slap-stick comedy tailor-made for McCarthy's unique talents-- all whilst making fun of James Bond-esque movies. It casually makes reference to the cool gadgets, sexy cars and gory violence that has become a corner stone of this male-dominated genre; even making an effort at a twist ending that fell only slight flat. But, the first mistake the audience can make is to come in expecting a parody of Scary Movie proportions. Much like all of McCarthy's female-driven offerings, this movie's true beauty hides just beneath the surface.

     The comedienne's Susan Cooper is a woman who hasn't quite come out of her shell. Pushing 40-something, she feels the oppressive boredom of a woman who has spent a lifetime in a bat infested basement serving an attractive man who refuses to give her a second glance. Face it, ladies, we've all lived this reality at some point or another. She is faced with the opportunity to not only live her dreams, but to become the super heroine of her greatest fantasies. Along the way, she realizes that she's also pretty bad ass. Seriously, she can kick butt better than any ninja I have seen in recent times. Even Jude Law looked a little taken aback! 

     Rose Byrne is also a diamond in the rough, offering us a super-villain in stilettos. Her hair piled hair, and fitted body suit firmly in place, Byrne struts her way through the movie with this cool detachment so often seen in the best espionage movies to date. She even pouts freely like a toddler ready for a tantrum in the face of various attempts on her life. It seems that her great wealth, power, and go-getter attitude has threatened some of her male counterparts. She faces off against our bumbling spy-girl to only realize that one is a mirror-image of the other. When McCarthy insists that "we girls have to stick together", we realize that even among baddies there appears to be a level of sexism. It is a hard world out there ladies; even for hairspray doused terrorists.

     All in all, behind the crazy one-liners and indecent imagery, (did we really have to look at THAT particular part of the male anatomy?) the story blossoms into an empowering image of a woman who can still remake herself regardless of her age, appearance or body type. That, at the end of the day, we're all connected in this crazy world of ours... oh who am I kidding. This movie was just hilarious. Honestly, just go see it. You'll be rolling on the floor laughing; walking out of the theatre with tears in your eyes and wishing you could sneak back in to watch it again. Just trust me. You'll thank me.  

A Feminist's Take On: "Disney's Cinderella"

     I must admit, I was rather surprised by the outcome of this latest Disney reboot. Although the trailers did look promising, this classic fable can often be a mixed bag. This particular "cinder wench" has been making the rounds over the years, appearing in her fair of share or renditions and reboots.
Spoiler Alert. You have been warned.  

     So, what is all the fuss about? Cinderella is, arguably, one of the first true rags-to-riches stories that seems to resonate so easily with the bubbly imaginations of young girls everywhere. As of late, however, Ms. Cinder Soot has received some stiff competition in the form of Katniss Everdeen and Tris Prior among many others. Even Frozen's Elsa insists that girls let go of typical, female stereotypes in favor of embracing who they really are within. In this business, timing is everything, and so it was time to dust off Cinderella's infamous blue gown... it is the 21st century after all.

So onto the question of the hour: Is this a feminist adaptation?

     Yes and no. The film goes through great pains to show that Cinderella's kind manner was just

"One must have courage, and be kind."

another form of courageous inner strength. She is not weak simply because she plasters on a smile and tries her best to run her family estate, all while her stepmother and stepsisters cackle in the background. Even the transformation of her name from Ella into Cinderella was tackled nicely; highlighting the bullying nature of the step sister's mean words and their power to cause some true pain. However, instead of standing up for herself in the face of such verbal abuse, the young woman grabs possibly one of the most beautiful horses I have ever seen on screen and races off towards.... who else but the prince's hunting party. How terribly convenient to the plot, wouldn't you say? I do give Disney brownie points for highlighting a princess story in which the young heroine isn't simply waiting in a lonely bell tower for some man to rescue her. Still, would it have killed them to give her just a touch of a back bone? Just once throughout this film, I found myself hoping she would talk back to the mean girls in her life.

     Otherwise, the prince is charming enough, and the evil stepmother cruel enough. Lady Tremaine is lent just enough of a back story to make her seem almost guilt-worthy. At least they didn't make her blindly evil; but more bitter and cold to life's challenges. Tremaine offers another view on how a woman might tackle the hardships that befall a woman whose greatest expectation in life is to marry well (during the time period in which this movie takes place, at least). Cate Blanchett gave this villainess just enough emotion behind her eyes to make her appear human, while also having a heck of a good time laughing manically in the background. This isn't a performance of Elizabeth-sized proportions, but at least she brought in a few laughs.

Fashionably late. 

      The movie is also beautifully filmed; with some amazing attention to detail and sweeping views of a country that almost seems too good to be true. The costume design has this reviewer turning green with envy (I would wear any number of Lady Tremaine's gowns). Kenneth Branagh has showed, once again, that he is probably an even better director than he is an actor... if such a thing is truly possible. In the process, Disney has also showed that they truly understand how a sweeping film should be tackled. No expense was spared; from Ella's sumptuous gown to the CGI that turned 4 (also CGI) mice into white chargers. A note to viewers: pay attention to the horses' ears as they shrink down to size. It was truly an amazing detail! Cinderella  is as graceful a movie as Ella is herself. And although there is some debate as to it's feminist prowess, or even if it is suitable for young girls at all. I think it is just the right mix of whimsy and fun, especially for those viewers entering their pre-teen/teenage years. Considering it's more adult themes, and the fact that literally every single parent in this movie is killed off... I wouldn't assume to propose taking anyone younger than the age of 10 unless you expect to do some heavy explaining.

     Bottom line: could it have been better? Of course. Although, the same can be said for any movie. Is it good enough? Yes, it is. At the very least, it allows you're somewhat older children to feel ten years old again, as they immerse themselves in this fairytale-style adaptation of a very classic movie. For a unique Cinderella experience, why not introduce your daughters to different versions of this classic fairytale; allowing them to compare and contrast the different heroines and how they manage the trials and tribulations set in their path. It might be a nice bonding experience/learning curve.

A Feminist's Take On: "The Theory Of Everything"

     How does one begin to review an Oscar nominated movie? Such films are created to  provide us with stark images of our society, family/home lives or small historical nuances that might have been overlooked by the general public. Let's face facts; they are not mere popcorn-style fair that are meant to amuse us. This small category of cinematic goodness act as the whole grain/ health food in any movie lover's diet.

     The Theory of Everything follows this description to a fault at times; depicting the life of Stephen Hawking, the now-famous Astrophysicist and his wife Jane Wilde. The acting is flawless, with Eddie Redmayne stealing basically every scene he is a part of. There is a rumor among Hollywood hopefuls that a sparkling award can be won if an actor embarks on a "passion project"--setting aside his own vanity for the sheer necessity of the work itself. This reviewer will not comment on the validity of such statements. All I can say is that Redmayne was truly a sight to behold; taking on the slight nuances of Hawking's personality down to a simple, sparkling gesture or a flick of an eyebrow. He made us believe that the brilliant mind of this formidable man still lurks somewhere behind the shallow waters of his complicated disease. I am not sure if this will render him an Oscar winner at the end of this evening, but Redmayne has nothing to be ashamed of. I suspect he will have many opportunities to showcase his talents for years to come.

     The silent, shining star of this movie had to be the complicated marriage that the Hawking's found themselves in. It all began with a cliche: "every strong man has an even stronger woman behind him", a turn of phrase that I have often resented. Why is that a strong man would require his even stronger counterpart to trail behind him? Would it be so much to ask that she, say, stand beside him.. as a partner should? Felicity Jones is a subtle force throughout, not allowing Jane Wilde to stay silently in the background of her husband's success. She began her career at Cambridge with dreams of her own, many of which she had to knowingly replace with the life of a wife and mother. Her portrayal of Jane Wilde showcased the struggle to maintain that delicate balance, all while trying to find something in their complicated universe that was solely her own. Perhaps, Jane finds this freedom within her own religious beliefs; refusing to give up her faith despite her brilliant husband's insistence on the scientific theory of the universe at large. Jane becomes the moral, emotional center of his world after all. There is a grey area, she insists, things that his careful equations could fill in her hungry soul

     More than anything else, Jane stares out into the great, wide void with a deep sense of longing that no words could ever possibly fill. Felicity Jones was brilliant in her subtle way of reaching out to all of us as she longed for that ever present "something". Jane-the-character transcended the strong wife ideal to become a real woman: silent, enduring, kind, loving, nurturing and yet still selfish enough to wish for more than her life could provide. She reminds us that we are all simple and messy human beings at the end of the day. Yes, love is a powerful and life changing force but yet sometimes it  may not be enough to conquer all the bumps that life may through in our paths.

     It seems that if this movie teaches us anything, it is the power of self-acceptance in the face of adversity. Stephen Hawking is a man who is simply happy to be alive, seemingly embracing his life with a passion that is almost enviable. A movie is not reality, however, so I wouldn't suggest taking this as the final testament into the lives of the Hawking's clan. It does shed some light into their complicated lives, while also introducing us to some very talented actors.

The Girl Power "Ghostbusters"?

From Top: Kristen Wiig, Leslie Jones, Kate McKinnon, and Melissa McCarthy.

The Hollywood Reporter broke the story on Tuesday that an all-female cast was being considered for the reboot, based off of the 1984 classic starring Dan Aykroyd and Bill Murray. The original concept for this reboot started as a sequel, of sorts; but Murray remained elusive, and with the passing of Harold Ramis, the entire project was reimagined. The understatement of the century, I know. Who could have imagined an entirely female cast of ghost-hunting mavens? Especially in an era where Hollywood seems to have lost a sense of all ingenuity-- rehashing the same ideas over and over again in a string of sequels and reboots that have no end.


Seriously, how many more Scary Movie or Paranormal Activity movies must we endure!

     So, it is with a heavy heart that I must admit just a fleas-breath of admiration towards this particular...reimagining. Not only because Melissa McCarthy is already attached, and her partner in crime/Brides Maids mastermind--Kristen Wiig-- is already in talks to join the cast. It's the simple fact, dear Muses, that someone out there in the movie-making factory is trying to turn the gears in a different direction for a change. With movies like the aforementioned Brides Maids and my personal favorite, Pitch Perfect, proving the simple fact that not only are female-driven movies cheaper to make (with budgets totaling $32.5 million and $17 million respectively) but they also rake in some serious cash in the process. 

Yes, you heard that correctly. 

     The math there is simple: women love seeing our favorite comediennes not only showing a keen understanding of real issues we girls face, and let's be honest, often feel on a daily basis. But, to exaggerate those problems into something that drive us into that insane fit of laughter reserved for a cozy night in with your BFF; sipping wine on the couch wearing only your sweat pants. "Chick Flicks" are evolving, ladies. No are we delegated to watching mindless "Rom Coms" like How to Lose a Guy in 10 Days (battle of the sexes my ass) or the horrifyingly un-feminist The Other Woman.  This new influx of witty and character-driven comedy, made famous by the likes of Amy Poehler, Tina Fey, Maya Rudolph and the countless others finally getting their due in this brave, new world.

     What does this mean for the Ghostbusters reboot? And, most importantly, is any of this even relevant for this ghost hunters-on-steroids comedy? Only time will tell that. This much is certain, however: Sony was obviously taking a cue from the recently changing climate of modern, Hollywood cinema. 

A Feminist's Take on: "Into The Woods".

This is not your run-of-the-mill, straight off the conveyor belt, musical. This family reunion of all our favorite Disney fairytales could have easily been another, long drawn out infomercial-- a hit and run of sorts-- that would have inundated one's senses with all the nuances we have come to know and love from the mouse factory. However, Muses be warned, this musical isn't for the faint of heart. And, for that matter, I wouldn't suggest bringing any child under the age of 13 to this film unless you expect to have a lot of explaining to do!

Steven Sondheim's dark retelling of all the Brother's Grimm classics is just that: dark, moody and wrought with humor that would make your fairy godmother cringe. Evil stepsister's chopping off their heels to make the glass slipper fit? Check. Prince Charming hitting on a happily married, and newly-minted mother/baker's wife/main female protagonist? Double check. With those familiar with the real stories the Disney animated films are based off of, all of this is just as it should be... and even provides a few laughs along the way. For your 8-year-old daughter, however, it's the stuff of nightmares and maybe even therapy. Pop in the Frozen DVD instead. Trust me.

Meryl Streep brings a sympathetic glow to what could have easily been another evil witch role: making the greasy-haired and long nailed she-creature both independent and bitingly honest. The witch does what she has to in order to survive... moral compass be damned. Johnny Depp is at his character-actor best; wearing a full-fledged wolf suit complete with matching cuff links. He gnaws at his lines for a demure 15 minutes or so...just long enough to not out stay his welcome.

All in all, I liked this film more than I thought was possible. The singing was actually enjoyable and the off-kilter humor fit right in with my Tim Burton-esque leanings. It showcases the debilitating obsession this society has with beauty. Not to mention the undo pressure this obsession puts on women in general-- even those that exist within this fairytale-esque world-- the effects are clear. We
will do whatever it takes to fit in at the ball, and yet is it worth the risk? Especially if Prince Charming has the IQ of a moss covered rock and a straying eye, Sondheim asks? The answer is clear as the characters struggle to stray from their respective paths in order to defeat the witch, slay the giant-- and then continue on their merry way towards their "happily ever after" ending.

I would highly suggest this musical for anyone who is a fan of Sondheim's original stage play. Or, any adult looking for a modern retelling showcasing all these classic characters at their comic best.

A Love Letter to Mr. Johnny Depp

I know what this looks like; an impassioned, oblivious note of gush-worthy proportions. With a side of stalker. But I can assure you, my dear Muses, that my intentions are pure. No, really, they are. He is an actor who needs no introduction, his body of work speaks for itself and, most likely, more eloquently than I can. But yet, here I am, giving it a go regardless. Depp is a Muse simply because he is… he refuses to fit into any mold what so ever. He exists in an entirely different plane of creativity. A true patron of the arts, if you will, he doesn't seem to realize any cookie cutter role for himself; he is not merely the broody bad boy, the villain or the comedic actor. He embodies all three of these and has even created some molds all his own!

Consider Edward Scissorhands, for instance. How do you begin to characterize that creation? Both comedic, tragic and real all the same time. Yes, I said real. There is nothing more honest and vulnerable than the silent-movie qualities of dear old Edward. I could go into great detail about how technically awesome his portrayal was. But, I'll get a tad more personal than that. That movie has always touched me on a personal level. Who hasn't felt lost and alone, rudderless in this big and wide world? Or, at the very least, like an outsider? Edward is all of these things and yet, he refuses to change. Why should he, I asked myself as I was growing up with this movie on constant repeat. He is perfect and beautiful and pure… the world should be more like him. He touches the lives of a few and then disappears; going back to his isolated castle where he realizes that, being alone is it's own freedom after all.

That is only one example, and there is a long line of other creations from his internal factory, waiting in the wings. Literally too many to list here lest this turns into a 100 page thesis on his overall breed of creativity. He is a true chameleon, doing whatever it takes to dive into his roles. But, I am no critic. I am just a humble and
 loving fan. I rarely watch interviews because there is a certain repetitive nature to the questions being asked. That and, let's face the one reality here: we will never know him. I can only know him for that briefest of moments when he is projected in character form; like a living canvas on the screen for about two hours. But, in a way that is his gift to us. A small piece of himself, frozen in time forever so we can enjoy it over and over again. The Mad Hatter, Captain Jack Sparrow, Barnabas Collins, Ed Wood and countless others. They are ours to enjoy at our leisure.

So, as Mr. Depp stands on the eve of another movie release, I find myself holding my breath. As always, the trailer looks completely amazing. Trailers usually do. Transcendence, they say, is a "departure" for Depp because it is a marketable movie. Expectations seem high, but regardless if whether it's a hit or not, Depp probably isn't terribly worried. Despite all the commentary and judgement… all the haters who wait poised for failure, he has always, and ever been himself. He makes no apologies, and furthermore seems to genuinely not care. Well, I'm sure he cares… and if you happen to stumble upon this letter, Mr. Depp I want you to know, that I know, that you know…. wait what?

Oh my, it seems I've confused myself... oh well. He gets the picture. And if he doesn't, he can feel free
to drop me an email and I'll be more than happy to clear it up for him. Ecstatic, in fact. My simple point is: there is not enough said about how inspirational his journey is. He has been, and always  will be, himself. If you don't like it, then there are a multitude of other actors out there to gush over. He is respectful in his indifference. In many ways, he jumped off the conveyor belt some ways back, and decided to trail his own path through the bumpy roads ahead. Sink or swim, it's been his journey. In a lot of ways, he's proved that you can achieve success, and even fame for that matter,  while still  maintaining who he is. Being different is not a liability, he insists, aren't we all different and weird in our own ways, anyway? Shouldn't we just embrace that about ourselves?

I endeavor always to try. And for that, I'd like to thank him: thank you, sir, for making it just a flea's breath easier for the rest of us. Oh, and good luck on that little movie, Transcendence, coming out April, 18th.

A Feminist's take On: "Divergent"-- From Book to Movie.

I know what you're thinking; the book is entirely different from the movie. I mean, basically world's apart by adaptation standards. Where does one begin? How about starting here: I actually don't mind the sudden string of book-to-movie adaptations that are taking over the big screen lately. Once a book is written, it's out there. Out there for us to enjoy and live however we choose to; hence the whole theory of having a movie adaptation to begin with! It allows a whole new group of people to experience the story; to meet the characters and join the fandom. There really is enough room for everyone, I promise.

So, let me begin by saying, I didn't totally hate Divergent the movie. I didn't love it either. I could sit here and knit pick what I disliked and, honestly, when I set out to write this post I almost did! Yeah, no one wants to read that! No, instead I'm just going to condense my opinion to 2 issues that I found most frustrating. Because, overall, there were a lot of truly glowing moments. Like when Tris took that literal leap of faith into Dauntless. I held my breath , and then laughed with her when she landed successfully. What a rush! And then that first meeting with Four… sigh. Yes, I'm a huge Tobias Eaton groupie. Don't judge me. At least I don't stalk any real people. SPOILERS!

Point One: They tried to copy The Hunger Games. I'm the first one to point out that, yes, Divergent shares many things in common with this series. Dystopian America, check. Corrupt government, check. Control freak president figure with overall distain for human life, check. Yummy abs, check. But that's all on the surface. Whereas the Hunger Games uses the actual games as a basis for all the unrest, and eventual revolution, Divergent does not. The rigourous training is necessary; it allows the initiates to build up their bodies and minds. To face their perceived fears and to become stronger, inside and out. Tris grows through this experience and very literally becomes a "warrior woman". There is also no love triangle, no side to take on which man is most "deserving" of Tris' heart in the end. In fact, there is a very realistic, messy, emotional and volatile relationship at the heart of this story. They barely gave that relationship a chance to flourish, basically throwing it together during one "show me your tats" moment. What happened to the slow boil?  I'm certainly not saying the entire movie was a loss; I just wish that they had embraced what makes Divergent unique. However,I do have to admit it was amazing to see women in a position of power. There was no separation of gender training within Dauntless faction, each initiate had to train in the same facility while learning the same techniques. It was refreshing, and one of the things that makes this story so strong right from the start.

Point Two: The ending was painful.  I mean, why did they have to rework the ending to begin with? All of you who read the book will, hopefully, agree. They ruined the climatic ending sequence  involving Jeanine for Insurgent!  And, officially, reduced Tobias to a pretty boy. He had a bigger role in that final sequence (rather than flinging his girlfriend around) and it was meant to show his duality. He's not just a good trainer/fighter. He's also a smart guy, who works in INTELLIGENCE!! I think he even says as much, for a split second, at the beginning of the movie. Why didn't he shut down the computers HIMSELF, like he was supposed to?? Why did they have to MIND CONTROL Jeanine? Like she would have been so foolish as to have been standing right there. In Dauntless headquarters. Basically ground zero, the whole time. With dozens of witnesses to her depravity, controlling the simulation herself. I thought she was supposed to be from Erudite, the logical-thinking faction. And, how will this play out for Insurgent,  where Tobias and Tris are blamed for "crimes against humanity", because they are believed to have caused the entire attack on Abnegation. I mean, the writers did realize there was another book, correct? This does have to make sense even in a Sci-Fi universe!

Ok, ok I need to calm down. Deep, cleansing breaths.

Ok. I'm solid again. Sorry, guys, I almost lost my cool there. Anyways, I didn't mean to slam the movie.  Fine, maybe only a little bit. The casting, though, was like a bright light at the end of a dimly lit tunnel. Take Shailene Woodley for example. Although she got started on some ABC Family show, her break out moment finally came in The Descendants, playing George Clooney's troubled daughter, no less. She got the chance to prove that she isn't just another pretty face, out to play the same teen-angsty role over and over again. A fact she got to showcase here  in Divergent. She made Tris real for us. Showing all the facets of her personality; quiet and somewhat shy but  still smart and observant. She's a fighter and you realize, as you do when reading the book, that Tris was born a fighter all along.

And, of course, Theo James. Not only is he a brooding, handsome guy with big pouty lips. But he managed to break away from that stereotype, just enough to show that there is more to Four. His dry sarcasm was just enough to make us chuckle, and let's not forget that final scene. Yes, it made steam come out of my ears just a little bit. But, when Tris turns the gun towards herself, I actually held my breath. You see Four battling with himself, his eyes confused and hard and…vulnerable. That is the essence of Four, to me anyway. He breaks the stereotypes of what a man should be, as much as Tris does for women. A man can wield a gun and yet still be vulnerable and a little lost as well. He proves that walls can be brought down, that a man can be both soft and hard at the same time… that all Tobias really wanted was to be loved in the end.

Ok, now that I've said my piece, what part of the movie did you love, or even hate for that matter? Are you looking forward to Insurgent? Any thoughts on Allegiant?

On another note, I've become recently obsessed with Ellie Goulding's song, Beating Heart. Check it out here! And anyone looking for another interesting read in this same genre, you should really give the Delirium series a look. It's available in Hardcover and for your Kindle.

The Princess Project: Final Results.

   First, let me begin by thanking all of the Muses. We have duplicated in numbers in the month since this project started, thereby beginning my plot to take over the world. Or, G+ at least! All joking aside, your support and insight has been huge! So huge, in fact, that it was quite the task picking out quotes for the final collage! Check my Bulletin Board to take a closer look at a few of them.

Now that I got that off my chest, here is the final product of this month-long search for The Fairest among the bunch. For many of us, these images are the one's we've grown up with--that we've seen scattered all over the internet and within the Disney Store itself. My whole point, in conducting this little "project", was to put it to you. Who did you relate with more, I asked? Who was "The Fairest" in your eyes… and tell me, in your own words, why that is. So, here is our own little poster. I believe this provides a more accurate portrayal of why we love these ladies so much; what they stand for and mean to us. Our very first heroines and role models before there was a Katniss Everdeen or a Tris Prior.

I have often heard different sides of the argument of what these princesses stand for. Are these women setting unrealistic standards? Do they challenge gender norms, or quite the contrary, do they simply enforce feminine stereotypes that are ingrained in young girls as they grow up? I put my personal opinions asides and put it to you; Disney fans and Muses alike. The answer was a stark "NO!" Each of you found at least one to relate with. In the case of week two, a tie was formed. A decision couldn't be made between Belle and Jasmine; I tried to repost the collage again for your consideration but the answer was the same… a few of you even insisting I just use both. And so I did! Who am I to question my Muses? Also, Snow White not with standing, all of you had strong opinions regarding each lady. They are dreamers, rebels and fighters; all the while maintaining a certain level of feminine poise that you all could connect with or maybe even idealized in the end.

They are as varied and colorful as we are, showing us the true value of change, love and a strong sense of self. Never lose yourselves, they insist, never settle for less than absolute happiness. They highlight the power of love in the face of everything; even pure evil.. and how that, within itself, can be a purer weapon than a sword. Not to discount the power of a bow and arrow of course (I am a Hunger Games fangirl, after all) but there are various ways to endure through life's greatest challenges. It is just as difficult to fire off an arrow as it is to forgive an evil stepmother, for instance.

Regardless of the fact that they are fictional, they taught us the most important lesson of all: the fun of losing yourself in a fairytale. Whether it's in a book or a movie, we all want to believe in something. Why not in true love or magic? Besides, who knows, maybe we might find our own Happily Ever After in the end.

The Fairest of Them All

Do you remember this apple? You might recognize it from a previous post: The Golden Apple Awards. In the late 1940s and even the early 2000s, a similar award was handed out to honor women in film, with Sour Apples being given by those who were, say, more difficult to work with. The ideology of the Golden Apple goes back even further: to a Greek myth in which the Goddess of discord, Eris, is not invited to a wedding by held by Zeus. In retaliation, she shows up uninvited to the festivities and tosses a Golden Apple with the inscription To The Fairest scrawled across it. What inside afterwards, ladies and gentlemen, literally caused the siege of Troy. But, I digress

    Not wanting to create any discord between my Muses, I opted to hold a contest of our own here. There has been much debate over the years, and even most recently, as to the anti-feminist nature of the Disney Princesses. So, I put it to you. Who is The Fairest?

    There are so many to choose from, and with them spanning basically every generation how can you define the evolution of fictional, pop culture characters down to just one? So, my idea is, to post here on G+ an offering of 3 fair maidens a week for your consideration. Every Tuesday I'll refresh my offering, so look out for the next 3 (mostly done in order of their appearance to the Disney Dynasty). I'll be doing this till the end of the month, or basically when we've covered them all. 

 No, I'm not saying that one is better than the other… I think that the sheer fact that these princesses exist to empower and lead young girls into womanhood is totally amazing. For many of us, these were our first role models who taught us how to believe in magic, to fight for what we really want; and most importantly how to dream. This is partly for fun and also part social experiment. Many of these ladies have been around since before many of us were born, and let's face it,  perceptions of femininity have changed over the years. So, I'll be interested in seeing who we connect with the most. Have we found that certain princesses have changed for us as we've grown up? Do you think the themes of a certain, princess-themed Disney, movie might resonate more now than when you were a little girl? Or has it gone in reverse? And no, this is not a quiz so I don't expect any of you to want to answer these questions. This is basically just an example of what was going through my head when I came up with this idea in the first place.

And to what end, you ask? Well, each week the "winner" (their not really winners so much as the chosen ones) will wind up in my list, in no particular order of course. So, please comment and vote. I'm hoping to create a post around your own words. As I stated once before, it gets quite lonely in my little Corner here…and I do get tired of my own voice. 

So, thank you for stopping by and joining in my little "game". Please check back for further developments and I'll see you all again next week!

UPDATE: I just expanded my horizons…to Facebook! I've noticed, in my travels, that anyone outside of G+ can't comment on my little Princess Project here. So, let's see how this goes, but I'm going to give another Social Networking site a try. So, if you make it to my blogpost here, follow me on Facebook and spread the word! I would greatly appreciate it:  facebook.com/bontecorner

UPDATE for the UPDATE: Hey all, just checking in on week three. For everyone that noticed Week two's re-posting of the Princess Project Poster; yes there was a tie. I'm sure it comes as no surprise, however, that it was going to be a very close call. Many of you even asked me to just go with both fair and very strong ladies; so I took your advice! Thanks for all your help and support these past three Weeks. Please spread the word. I'm now on Facebook as you can see in my update above. Thanks for 1,000+ views on Bronte's Muse; and over 100 "+1s" on this blog post alone! Please follow my blog so you can get an update when I post the final results of all your hard work and support! We're getting down to the wire. Only one more week to go!  And who knows, Something Wicked could be waiting around the bend…  

The Golden Apple Awards: 2013 Season

       No, this is not another Oscar tribute. In fact, the Golden Apple pictured above holds a very special place in feminine history. You see, this glittery fruit got it's start in mythology, most notably in the tale of the Judgement of Paris. Eris, the goddess of discord, was denied an invitation to the wedding of Peleus and Thetis. To stir up a bit of drama, she scrawled across a golden apple the now infamous words: "To the Fairest". Three goddess claimed the apple: Hera, Athena and Aphrodite-- with each bearing a different claim towards what that phrase actually meant. With no resolution in sight, these three mavens turned to the judgement of a mortal named Paris... literally causing a war in their wake.

In cinematic history, the Golden Apple held a slightly less controversial role. From 1941 to about the mid-1980's, this small token was awarded in honor of those actors/actresses that were considered easy to work with. The Sour Apple happens to be it's counter-part, of course.

So, what's the point you ask--scratching your head against all this information? Well, the point is simple: to honor female-driven movies that may have been overlooked by the Academy in the wake of the current award season. There is no discord intended here, with each movie listed below bearing equal merit as the one below it.

Here they are, the very first Golden Apple Awards. Spoilers! You have been warned.

Frozen 

There are few studios, I think, that have such an impressive line up of strong female characters, not only in animation, but basically anywhere! But I digress (perhaps I should do a top 10 of female Disney characters in the future). 

No where is this example more present than in this completely female driven, animated movie. It's a movie about sisters, and for once the romance portion is put on the back burner in favor of showing a positive, if not, complicated relationship between two sisters. The story is uncluttered and easy to follow, the music is outstanding and the visuals are intricate enough to feel real. Not since Beauty and the Beast have I really felt that a movie deserved an Oscar more. (and no, not just for best animated feature) Or, at least a Best Actress in an Animated Movie for Idina Menzel. Mostly, I just loved the overall message, showcased in the flagship song Let it Go, the fact that you should just be who you are and embrace whatever perceived "flaws" you might have…because in reality, there is no sense of normal anyway! I just love the strong female leads, the fact that sisterly bonds can be totally unconditional and fulfilling in their own way. And the fact that there is no clear cut love interest for the title character. Elsa learns to love herself and her gifts; she becomes a great queen and a great big sister. She discovers that's all she really needs in the end. A great message for young girls (and the not so young girls for that matter). 

Gravity

The plot is simple: the ultimate isolation movie, a person lost in space. It's not a new plot by any stretch, being pretty overused in the last five years alone. This one stood out for one big reason;  Sandra Bullock, who made it real for all of us. I, at least, was there with her and found my breathing getting labored as she tumbled aimlessly out into the black abyss of space. 

The metaphors for this movie and the struggles of women in general are endless; just simply the idea of a woman being out in a forum that she is not familiar with, a world or career populated mostly by men only to be left deserted and alone out there with only your fears of failure to keep you company. Then, she eventually calms down and find her way out of the situation feeling both empowered and alive at the same time. Most of all, it transcended the whole, gimmicky 3D thing, to be a really good movie all on it's own. The kind that once your pulse slows down, you just want to go right back in there….just maybe not in 3D this time… that was just too real for me. 

Catching Fire

In a world dominated by adaptations like The Twilight Saga; that basically teaches young girls that it's ok to change your basic biology to fit into the general needs of your dead-eyed boyfriend (and birth his demon spawn), it was a breath of fresh air to enter the world of The Hunger Games. Now I know it's the fan girl in me talking here…in a big way, but I really do feel the story is quite strong. I know it's hard to talk about the movie without going into the book, but the movie itself deserves kudos. Yes some things were added that weren't in the book itself but, seriously, get over it. Jennifer Lawrence is amazing. Period. The cast roundup is a bulls eye in my opinion, with every actor and actress really getting the essence of their characters. 

But beyond all of that, I just think it's about damn time that a woman get credit for being a girl and still kicking some major ass. Katniss is just that; as stated in my pervious post but, hell, I'll just dive in again. She is a woman trapped between two sides of herself, trying to find her way in a  complicated world. Looking out for everyone because she can't just turn her back on her family, or Peeta or Haymitch without feeling that she's failed in some way. She has her own fears and insecurities; as well as a passion to survive and live…not exist but truly live her life. In all it's forms, Catching Fire truly expands on all this subject matter to bring you Katniss; to make us feel for her and root for her because you want her to find out what it is she wants. It's not about whether she chooses Peeta or not (ok fine, it is a little bit) but it's about her finding herself and fighting for her right to exist, for better or for worse. That, in my opinion anyway, is what makes the movies so great. And allowing the general public (not just the reading public) to experience that in the visual feast, which are the essence of the book trilogy. 

Now, these three are my choices. Are there any that I missed? Or anything you'd care to add? Please let me know!  

The "Games" Have Changed

I had originally written this post as a pre-curser to the arrival of Catching Fire. But now I just feel like gushing openly. I know there are many out there who haven't read the books and count on the movies; so I wanted to be careful what was said here, just in case. Now since the movie has come out on the market, I'm going to speak freely.

I am the Spark.

I love the Hunger Games series. You can say it's just the fan girl spirit but it's so much more than that. The books are amazing; it's so rare that I, personally, feel such a close connection to a main character. Usually, I root for the under-dog. Like Severus Snape in the Harry Potter series. I've always liked the ambiguous nature of said characters and watching them develop and grow; not knowing if their going to turn to the dark side…or whether they are trustworthy at all.

But, it is hard to ignore Katniss. When she speaks, she doesn't whisper. She roars. So loudly, in fact, that it's impossible for her to hide under any mask. She refuses to follow the perception that women are "delicate" (no matter how hard Haymitch may try) because she insists on taking care of herself…and other people for that matter. Katniss fears the impending revolution because she's more worried about her own world… to her, it's impossible to save every single person in the outlying districts. She fails to realize the power she holds all throughout the second book/movie. And, from Prim and her mother to Peeta and Haymitch, that feeling to protect and nurture is strong. The thought of losing any of them burns deeper than the fire that envelopes her dress as she twirls. She is a modern female, not trying to fulfill anyone else's standards but her own; railing against the system that makes her feel caged. But yet, she fears losing everything if she attempts to move against it.

Because, let's face it. As women we wear many different hats. We embark on a very delicate tight-rope walk every time we attempt to take a breath. Don't we all feel the, almost daily strain, of having to carry the weight of the world on our shoulders? Then, to top it all off for this Girl on Fire, there is that overwhelming terror of failing those around her, of losing just one more loved one to the Capitol. And most of all, she faces off not only against President Snow but the two men that matter most in her world. Can't she just love both of them in her own way? Both men being so different certainly doesn't merit her having to choose one over the other…but yet they persist none-the-less.

As we gear up for Mockingjay, the last in the series, which finds Katniss finally facing off against the Capitol head on; one thought runs through my head. How is she different from any woman in the real world? Just speaking for myself, I know that fighting for what you believe in isn't always an easy game. The fear of failure, in all it's forms, is always looming over our heads. But, much like Katniss, we have to remember even one voice can spark something big. It can make people think…and talk and even cause a huge blaze that can engulf everyone. Sinner or Saint, Katniss stands for that spark. That spark in all of us. And as I straighten my Mockingjay pin to face the world, I feel validated for my fan girl/obsessive tendencies.

After all, I fangirl with a purpose.